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Nationalism and Cosmopolitanism in the Avant-Garde and Modernism. The Impact of the First World War
ISBN: ISBN 978-80-88283-69-0
Dostupnost: skladem
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Lidia Głuchowska, Vojtěch Lahoda
Nationalism and Cosmopolitanism in the Avant-Garde and Modernism. The Impact of the First World War
The book presents a wide spectrum of scientific research, viewed from the perspective of the centenary of the First World War, the “Great War of White Men”
and supposedly the “war to end all wars”, which from the resulting postcolonial and multicultural viewpoints irreversibly altered not only Europe but the entire world. It addresses the tension between local ethnic or esoteric traditions, and cosmopolitan rhetoric in political and aesthetic narratives while the global map, especially the Old Continent, fundamentally changed. Newly formed states established their identity not only through the traditional visual arts, but more profoundly in new building works, contemporary design, filmmaking and photography, and popular culture, including functional typography, transformative modes of social communication and the general conditions of everyday life, accelerating the processes of emancipation of the “imagined communities” and intensifying the discourses of marginalized “others”. Exploring grounded studies of previously unknown archival materials and deploying the latest methodological approaches of the humanities, the book also presents complex strategies of dissemination, translation and the instrumentalization of modern visual language, e.g. in propaganda, especially in the so-called “peripheral”
and supposedly the “war to end all wars”, which from the resulting postcolonial and multicultural viewpoints irreversibly altered not only Europe but the entire world. It addresses the tension between local ethnic or esoteric traditions, and cosmopolitan rhetoric in political and aesthetic narratives while the global map, especially the Old Continent, fundamentally changed. Newly formed states established their identity not only through the traditional visual arts, but more profoundly in new building works, contemporary design, filmmaking and photography, and popular culture, including functional typography, transformative modes of social communication and the general conditions of everyday life, accelerating the processes of emancipation of the “imagined communities” and intensifying the discourses of marginalized “others”. Exploring grounded studies of previously unknown archival materials and deploying the latest methodological approaches of the humanities, the book also presents complex strategies of dissemination, translation and the instrumentalization of modern visual language, e.g. in propaganda, especially in the so-called “peripheral”
Contents:
Lidia Głuchowska, Vojtěch Lahoda and Tomáš Winter
Preface
Lidia Głuchowska
"The War to End all Wars"
(A) Nationalism and Cosmopolitanism in the Avant- Garde and Modernist Studies in Visual Culture and Literature
Introduction
Lidia Głuchowska
International Expressionism as the Style of the Great War?
Remarks on its Adaptation and Evaluation
Nina Gurianova
The Russian Avant_Garde and the Great War
Visions and Utopias
Oksana Dudko
Riflemen Art
Visualizing the Ukrainian War
Éva Forgács
War as Psychological, Social and Intellectual Experience
The
Concept od "National Art" and the First World War in Hungary. Lajos
Fulep and the Dynamics of " National" and " International"
Vendula Hnídková
Respect and Triumph
Intentions and Meanings of Czech Architecture before and after the First World War
Vojtěch Lahoda
Transnational or National Cubism?
Vincenc Kramář on Cubism
Benedikt Hjartarson
Abstract Constructivism and the Case of Finnur Jónsson
Universal Language - National Idiom?
Ginta
Gerharde - Upeniece
Art and the New Latvian State (1918 - 1920)
Modernism -between Cosmopolitan Inspirations and a Substantive National Factor
Torben Jelsbak, Dorthe Aagesen
The Aesthetics of Neutrality
The Impact of the First World War on Danish Art and Culture
Annika Gunnarsson
Cosmonational
Neither National nor Cosmopolitan - but a Tinge of Avant-Garde Modernism
Irina Genova
Modernism and the National Idea - Reflections of the First World War
The Case of Bulgaria
Erwin Kessler
War as Inverter in Romanian Art between 1912 and 1924
Petar Prelog
In Pursuit of National Identity
Croatian Modern Art before and after the Great War
Emilio Quintana Pareja
Don Quixote in the Trenches
The Birth of Avant- Garde Poetry in Spanish Language between Civilization and Barbarism
Bela Tsipuria
Georgian Modernism, National Expectations, and the First World War
Lidia Głuchowska
Jewish Artistic Networks Around the Great War
The Voice of "Others" and the Utopia of "Yiddishland"
Steven Mansbach
Closing Remarks and General Reflections
Contributors
List of Images
Bibliography
IndexesÚstav dějin umění Akademie věd, 2022, 265 x 195 mm, 631 s., col., english, ISBN 978-80-88283-69-0